12) Hillary Clinton. I hate to be obvious, but the truth is, anyone who is THIS beloved by an adoring, uncritical and unquestioning press should never be trusted or given power. Anyone who “owns” the press the way she does is being handed the keys to tyranny. The presses gulping fascination for this woman is enough to warn any clear-thinking person away from electing her as president. Although, in fairness to Mrs. Clinton, the press demonstrated quite soundly, in the last election, that almost any Democrat candidate, running against a Republican, can anticipate an astounding and uniform lack of curiosity about their past, or their thoughts, ideas or solutions from the Fourth Estate. Mrs. Clinton only frightening because of the extremes to which the press will go to promote and protect her.
13) The Fourth Estate. They remind me of St. Paul’s sad cry, “all that I hate, I am become!” Diverse in everything but thought, they’ve exposed themselves as precisely the things they claim to hate, bigots and purveyors of prejudicial stereotypes. We need a few journalists who have never stepped inside a j-school, and who understand that a “scoop” involves real (not manufactured) evidence that can be proved - that forcing someone else to “prove a negative,” is not reportage, it is slander.
Nicely written! But here's the best part:
1) Whoever decided that Saturday morning cartoons should be used to “educate children” to “be nice” to each other, and that Bugs Bunny and Daffy Duck, if shown at all, could not be shown being shot, blown-up, erased, squeezed into tiny spaces, sent flying from a cannon, played like violins, dropped into glasses of water, blown to smithereens by Martians, unfeathered unto nakedness, or tricked into playing “Believe Me If All (Those Endearing Young Charms)” correctly on the piano, thus being sent to heaven wherein they wear halos and pluck on tiny harps. They can, however, be shown in drag. Whole generations are growing up being thought of as too delicate to watch cartoon characters being shaped into musical instruments, and they’ve lost exposure to thinking outside the box.